Я, владелец авторских прав на это произведение, передаю его в общественное достояние. Это разрешение действует по всему миру. В некоторых странах это не может быть возможно юридически, в таком случае: Я даю право кому угодно использовать данное произведение в любых целях без каких-либо условий, за исключением таких условий, которые требуются по закону.
The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.
Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.
This work might not be available under a free license in the United States because it is based on an artwork or sculpture that may be protected by copyright under U.S. law. (Commons is hosted in the United States and as such, U.S. law is applicable.)
In the source country of the artwork or sculpture, taking photographs of such works permanently located in a public place does not generally infringe on their copyright, under a principle known as "freedom of panorama".
In U.S. law, there is no freedom of panorama for artwork or sculptures, and under the choice-of-law principle lex loci protectionis, U.S. courts might apply U.S. freedom of panorama standards to this work, rather than the standards of the source country. However, in practice, it is unsettled whether and how this approach would be applied in real-world U.S. legal cases involving freedom of panorama elements.
The current policy on Commons is to accept photos of artwork and sculptures that are covered by freedom of panorama in their source country. This policy may change in the future, depending on the outcome of community discussions and new case law.
This is not a valid license tag on Commons; this file must be usable under freedom of panorama in its source country or it will be deleted.
Файл содержит дополнительные данные, обычно добавляемые цифровыми камерами или сканерами. Если файл после создания редактировался, то некоторые параметры могут не соответствовать текущему изображению.
Производитель камеры
NORITSU KOKI
Модель камеры
QSS-29
Ориентация кадра
Нормальная
Горизонтальное разрешение
100 точек на дюйм
Вертикальное разрешение
100 точек на дюйм
Программное обеспечение
Adobe Photoshop CS2 Windows
Дата и время изменения файла
14:02, 31 декабря 2006
Порядок размещения компонент Y и C
Центрированный
Версия Exif
2.2
Конфигурация цветовых компонентов
Y
Cb
Cr
не существует
Поддерживаемая версия FlashPix
1
Цветовое пространство
sRGB
Единица измерения разрешения в фокальной плоскости
