- 1910 Landscape Near Figueras, 1910
- 1913 Vilabertrin, 1913
- 1914 Dutch Interior, 1914
- 1914 Fiesta in Figueres, 1914-16
- 1914 Head of Athene, 1914
- 1914 Landscape Near Ampurdan, 1914
- 1914 Untitled, 1914
- 1914 Untitled — House by a Lake, 1914
- 1916 Landscape, 1916
- 1916 Landscape, 1916
- 1916 Untitled — Landscape with Animals, 1916
- 1916 Witches and the Fall of Eve, 1916-18
- 1917 Cadaqués, 1917
- 1917 Cadaqués, 1917-18
- 1917 Crepuscular Old Man, 1917-18
- 1917 View of Cadaqués with Shadow of Mount Pani, 1917
- 1918 Bathers, 1918-19
- 1918 Boat, 1918
- 1918 Couple Near the Fortress, 1918
- 1918 Duck, 1918
- 1918 Hort del Llane, 1918-19
- 1918 Playa Port Alguer De La Riba, D’en Pitxot, 1918-19
- 1918 Playa Port Alguer from Riba d’en Pitxot, 1918-19
- 1918 Port of Cadaqués (Night), 1918-19
- 1918 Portdogué, 1918-19
- 1918 Portrait of Lucia (Retrato de Lucia), 1918
- 1918 Punta es Baluard de la Riba d’en Pitxot, 1918-19
- 1918 Sea View, 1918-19
- 1918 Still Life, 1918
- 1918 Untitled, 1918
- 1918 Vilabertrin Church Tower, 1918-19
- 1919 Es Pianc, 1919
- 1919 Es Poal — Pianque, 1919-20
- 1919 Evening Ball at the Patio of Mariona, 1919
- 1919 Landscape (Cadaqués), 1919-20
- 1919 Llané Beach, Cadaqués, 1919
- 1919 My Cousin Montserrat, 1919-20
- 1919 Old Man of Portdogué, 1919-20
- 1919 Orchard at Llané (Cadaqués), 1919-20
- 1919 Port Dogué — Cadaqués, 1919
- 1919 The Port of Cadaqués, 1919
- 1919 Portrait of a Gipsy, 1919
- 1919 Portrait of Hortensia, Peasant Woman of Cadaqués, 1919
- 1919 Portrait of Joaquim Montaner (Allegory of a Sailor), 1919-20
- 1919 Portrait of Mr. Pancraci, 1919
- 1919 Sailboat with Figure. Study for the Boat in «El Son», 1919
- 1919 Self-Portrait in the Studio, 1919
- 1919 Still Life: Pomegranates, 1919
- 1919 The Tartan «El Son», 1919
- 1919 The Three Pines, 1919
- 1920 The Artist’s Father at Llane Beach, 1920
- 1920 The Bay at Cadaqués, with Cucurucuc Rock and the Sorrell, Peninsula, 1920
- 1920 Boxer, 1920
- 1920 Calanque Jonculs (Cadaqués), 1920
- 1920 The Garden of Llaner (Cadaqués), 1920-21
- 1920 Grandmother Ana Sewing, 1920
- 1920 The Lake at Vilabertran, 1920
- 1920 Landscape (Cadaqués), 1920
- 1920 Landscape Near Cadaqués, 1920-21
- 1920 Landscape Near Cadaqués, 1920-21
- 1920 Moonlight Over the Bay At, Cadaqués, 1920
- 1920 Mother, 1920
- 1920 Portrait of the Artist’s Mother, Dofia Felipa Dome Domenech De, Dalí, 1920
- 1920 Portrait of the Violoncellist Ricardo Pichot, 1920
- 1920 Portrait of Jose M. Torres, 1920
- 1920 Saltimbanques, 1920-21
- 1920 The Sardana of the Witches, 1920
- 1920 Satirical Portrait of Trotsky, 1920
- 1920 Small Rocky Bay of Nans (Cadaqués), 1920-21
- 1920 Still Life, 1920
- 1920 Still Life by a Window, 1920
- 1920 Studies for a Self-Portrait and Portrait of My Father, 1920
- 1920 Study for Portrait of My Father, 1920
- 1920 Study for «My Family», 1920
- 1920 Study for a Self-Portrait, 1920
- 1920 Tieta, 1920
- 1920 Two Gypsy Lads, 1920-21
- 1920 Two Studies for Portrait of My Father, 1920
- 1920 Untitled — the Artist in His Studio in Riba D’en Pitxot in Cadaqués, 1920-21
- 1920 The Vegetable Garden of Llaner, 1920
- 1920 View of Cadaqués from Playa Poal, 1920
- 1920 View of Portdogué (Port Aluger), 1920
- 1921 Back View of Cadaqués, 1921
- 1921 Cover of «Per La Musica, Poems», 1921
- 1921 Fair of the Holy Cross — The Circus, 1921
- 1921 Festival at San Sebastian, 1921
- 1921 Festival in Figueras, 1921
- 1921 Festival of St. Lucia At, Villamalla, 1921
- 1921 Landscape Near Cadaqués, 1921
- 1921 Llaner Beach in Cadaqués, 1921
- 1921 Man Holding Up a Baby as Though He Were Drinking from a Bottle, 1921
- 1921 Man with Porron, 1921
- 1921 Moonlight at Little Llané, 1921
- 1921 Motherhood, 1921
- 1921 Muse of Cadaqués, 1921
- 1921 Nymphs in a Romantic, Garden, 1921
- 1921 The Picnic, 1921
- 1921 Portrait of Grandmother Ana Sewing, 1921
- 1921 Portrait of Jaume Miravidles as a Footballer, 1921-22
- 1921 Portrait of My Father, 1921
- 1921 Portrait Ofjaume Miravidles, 1921-22
- 1921 Poster: Fieres i Festes de la Santa Creu, 1921
- 1921 Romeria — Pilgrimage, 1921
- 1921 Rural Scene, 1921
- 1921 A Seated Man and a Dancing Couple, 1921
- 1921 Self-portrait, 1921
- 1921 Self-Portrait, 1921
- 1921 Self-portrait, 1921
- 1921 Self-portrait (Figueres), 1921
- 1921 Self-portrait with the Neck of Raphael, 1921
- 1921 Still Life for the Cover of «Per La, Musica, Poems», 1921
- 1921 Title Page of the Magazine 'Empordá Federal' and Title Design for «Biografia d’en Pep Ventura», 1921
- 1921 Voyeur, 1921
- 1921 Young Girls in a Garden, 1921
- 1922 Brothels, 1922
- 1922 Cabaret Scene, 1922
- 1922 Cadaqués, 1922
- 1922 Cubist Composition (Shapes), 1922
- 1922 Cubist Composition — Still Life with Guitar, 1922
- 1922 Drinker, 1922
- 1922 Female Figure with Head in Arms, 1922
- 1922 The First Days of Spring, 1922-23
- 1922 Fishermen at Cadaqués, 1922
- 1922 Fishing Folk at Cadaqués, 1922
- 1922 Horse, 1922
- 1922 Jug, 1922-23
- 1922 Landscape — Cadaqués, 1922
- 1922 The Lane to Port Lligat with the View of Cape Creus, 1922-23
- 1922 Madrid, Architecture and Poplars, 1922
- 1922 Portdogué and Mount Pani from Ayuntamiento, 1922
- 1922 Seated Woman, 1922
- 1922 Self-Portrait, 1922
- 1922 Still Life, 1922
- 1922 Still Life, 1922
- 1922 Still Life, 1922
- 1922 Still Life (Pulpo y scorpa), 1922
- 1922 Still Life — Fish, 1922
- 1922 Still Life with Aubergines, 1922
- 1922 Still Life with Glass, 1922
- 1922 Study of a Foot, 1922
- 1922 Summer Night, 1922
- 1922 Untitled — Landscape Near, Madrid, 1922-23
- 1922 Untitled — Scene in a Cabaret in Madrid, 1922
- 1922 Villa Pepita, 1922
- 1923 All Shapes Derive from the Square, 1923
- 1923 Barracks (Cadaqués), 1923
- 1923 Bathers of La Costa Brava — Bathers of Llaner, 1923
- 1923 Cadaqués, 1923
- 1923 Cadaqués (Seen from the Tower of Creus), 1923
- 1923 Coffee House Scene in Madrid, 1923
- 1923 Crystalline Still Life, 1923
- 1923 Cubist Composition — Portrait of a Seated Person Holding a Letter, 1923
- 1923 Cubist Self-Portrait with «La Publicitat», 1923
- 1923 Domestic Scene, 1923
- 1923 El Moli — Landscape Near Cadaqués, 1923
- 1923 Figueras Gypsy, 1923
- 1923 Figures in a Landscape at Ampurdan, 1923
- 1923 Fried Egg on the Plate without the Plate, 1923
- 1923 Grandfather Clock, 1923
- 1923 Group of Young Catalan Girls, 1923
- 1923 Harlequin Sitting at a Table, 1923
- 1923 The Jorneta Stream, 1923
- 1923 La Jorneta, 1923
- 1923 Landscape Near Cadaqués, 1923
- 1923 Luis Buñuel and a Toreo, 1923-24
- 1923 Maternity, 1923
- 1923 Nude in a Landscape, 1923
- 1923 Portrait of My Cousin Ana, Maria Domenech, 1923
- 1923 Portrait of My First Cousin, 1923
- 1923 Portrait of My Sister (original State), 1923-24
- 1923 Reverse Side of «Study of a Nude», 1923
- 1923 Satirical Composition («The Dance» by Matisse), 1923
- 1923 Self-Portrait, 1923
- 1923 Self-portrait with L’Humanitie, 1923
- 1923 The Sick Child (Self-portrait in Cadaqués), 1923
- 1923 Still Life, 1923
- 1923 Still Life, 1923
- 1923 Still Life: Fish with Red Bowl, 1923-24
- 1923 Study for «Woman with a Child», 1923
- 1923 Study of a Nude, 1923
- 1923 Venus and Memory of Avino, 1923-24
- 1923 Woman Nursing Her Son (Mujer amamantando a su hijo), 1923
- 1924 Ana Maria, 1924
- 1924 Bather, 1924
- 1924 Bouquet (L’Important c’est la Rose), 1924
- 1924 Head of a Man with a Child, 1924-25
- 1924 Pierrot and Guitar, 1924
- 1924 Plant, 1924
- 1924 Port Alguer, 1924
- 1924 Portrait of Ana Maria, 1924
- 1924 Portrait of Luis Bunuel, 1924
- 1924 Portrait of Manuel de Falla, 1924-25
- 1924 Portrait of a Woman, 1924
- 1924 Siphon and Small Bottle of Rum, 1924
- 1924 The Station at Figueras, 1924
- 1924 Still Life, 1924
- 1924 Still Life, 1924
- 1924 Still Life, 1924
- 1924 Still Life: Watermelon, 1924
- 1924 Triple Portrait of García Lorca, 1924
- 1925 Bay of Cadaqués, 1925
- 1925 Cala Nans, 1925
- 1925 Don Salvador and Ana Maria Dalí (Portrait of the Artist’s Father and Sister), 1925
- 1925 Double-sided Verso (Studio Scene), 1925
- 1925 Female Nude, 1925
- 1925 Figure at a Window, 1925
- 1925 Girl from the Back, 1925
- 1925 Girl Reclining on a Bed (Ana-Maria Dalí), 1925
- 1925 Landscape Near Ampurdan, 1925
- 1925 Landscape Near Ampurdan, 1925
- 1925 Nude in the Water, 1925
- 1925 Pierrot Playing the Guitar, 1925
- 1925 Port Alguer, 1925
- 1925 Portrait of the Artist’s Father, 1925
- 1925 Portrait of the Artist’s Father and Sister, 1925
- 1925 Portrait of Ana Maria (Cadaqués), 1925
- 1925 Portrait of Maria Carbona, 1925
- 1925 Portrait of Maria Carbona, 1925
- 1925 Purist Drawing, 1925
- 1925 Seated Monk, 1925
- 1925 Self-portrait Dedicated to Frederico, 1925
- 1925 Still Life, 1925
- 1925 Still Life with Moonight, 1925
- 1925 Study for «Venus and Sailor», 1925
- 1925 Study of Nude, 1925
- 1925 Thought, 1925
- 1925 Venus and a Sailor (1), 1925
- 1925 Venus and a Sailor (2), 1925
- 1925 Venus and a Sailor — (Homage to Salvat-Papasseit), 1925
- 1925 Venus with Cupids, 1925
- 1925 Venus with Cupids (detail), 1925
- 1926 Abstract Composition, 1926
- 1926 Ana Maria, Sewing, 1926
- 1926 The Basket of Bread, 1926
- 1926 Cubist Figure (Figura cubista), 1926
- 1926 Female Nude, 1926
- 1926 Femme Couchée (Nu Alongé), 1926
- 1926 Figure on the Rocks (Figura damunt les roques), 1926
- 1926 Figure on the Rocks (Penya Segats), 1926
- 1926 The Girl — Study for «The Girl of Ampurdan», 1926
- 1926 The Girl of Figueras, 1926
- 1926 Girl Sewing, 1926
- 1926 Girl with Curls, 1926
- 1926 Girl’s Back, 1926
- 1926 Homage to Erik Satie, 1926
- 1926 Neo-Cubist Academy (Composition with Three Figures), 1926
- 1926 Portrait of Federico García Lorca, 1926-27
- 1926 Portrait of a Girl in a Landscape (Cadaqués), 1926
- 1926 Portrait of Sefiora Abadal De’Argemi, 1926
- 1926 Portrait of a Woman, (unfinished), 1926
- 1926 Rocks at Llane (Landscape near Cadaqués), 1926
- 1926 Rocks of Llané (first version), 1926
- 1926 Sailor and His Family, 1926
- 1926 Self-Portrait Being Duplicated into Three, 1926-27
- 1926 Still Life with Two Lemons, 1926
- 1926 Study for Girl Sewing, 1926
- 1926 Study for «Ana Maria». Cover of the Catalogue for Dalí's Second Exhibition at the Dalmau Gallery in Barcelona, 1926
- 1926 Study for «Blood Is Sweeter Than Honey», 1926
- 1926 Study for «Girl Sewing», 1926
- 1926 Study for «Girl Sewing», 1926
- 1926 Study for «Girl Sewing» (2), 1926
- 1926 Venus and Sailor (Girl and Sailor; Unfinished), 1926
- 1926 Woman in a Chemise, Lying, (Study for «Women Lying on the Beach»), 1926
- 1926 Women Lying on the Beach, 1926
- 1927 Apparatus and Hand, 1927
- 1927 Automatic Drawing (Untitled), 1927
- 1927 Barcelonese Mannequin, 1927
- 1927 Figure Edged in Flames, 1927
- 1927 Harlequin, 1927
- 1927 Head (Draft of a Double Image), 1927
- 1927 Head of a Woman, 1927
- 1927 Honey Is Sweeter Than Blood, 1927
- 1927 Nude Woman in an Armchair, 1927
- 1927 Ocell… Peix, 1927-28
- 1927 The Poet on the Beach of Ampurias — Federico Garcia Lorca, 1927
- 1927 Saint Sebastian, 1927
- 1927 The Severed Hand, 1927-28
- 1927 Still Life by the Light of the Moon, 1927
- 1927 Study for «Still Life by the Light of the Moon», 1927
- 1927 Untitled, 1927
- 1928 Abstract Composition, 1928
- 1928 Anthropomorphic Beach (first state), 1928
- 1928 Anthropomorphic Beach (fragment), 1928
- 1928 Bather, 1928
- 1928 The Bather (Beigneuse), 1928
- 1928 Big Thumb, 1928
- 1928 Bird, 1928
- 1928 Composition, 1928
- 1928 The Donkey’s Carcass, 1928
- 1928 Female Nude, 1928
- 1928 Feminine Nude (first State), 1928
- 1928 Fishermen in the Sun, 1928
- 1928 Fishermen in Cadaqués, 1928
- 1928 Little Cinders (Senicitas), 1928
- 1928 Moonlight, 1928
- 1928 The Ram (The Spectral Cow), 1928
- 1928 Rotting Bird, 1928
- 1928 Self-Portrait Dedicated to Federico Garcia Lorca, 1928
- 1928 Shell, 1928
- 1928 Soft Nude (Nude Watch), 1928
- 1928 The Spectral Cow, 1928
- 1928 Sun, 1928
- 1928 Surrealist Composition, 1928
- 1928 Symbiotic Woman-Animal, 1928
- 1928 Unsatisfied Desires, 1928
- 1928 Untitled, 1928
- 1928 Untitled, 1928
- 1928 Untitled, 1928
- 1928 Untitled (the Sea and the Fishermen), 1928
- 1928 The Wounded Bird, 1928
- 1929 Accomodations of Desire, 1929
- 1929 Amalgam — Sometimes I Spit on the Portrait of My Mother for the Fun of It, 1929
- 1929 Andre Breton, the Great Anteater, 1929-31
- 1929 The Butterfly Chase, 1929
- 1929 The Enigma of Desire: My Mother, 1929
- 1929 The First Days of Spring, 1929
- 1929 The Great Masturbator, 1929
- 1929 Illumined Pleasures, 1929
- 1929 Imperial Monument to the Child-Woman, 1929
- 1929 The Invisible Man, 1929
- 1929 The Invisible Man, 1929
- 1929 The Kiss — Study for the Couple Who Are Embracing in «The Great Masturbator», 1929
- 1929 Lugubrious Game, 1929
- 1929 Man with Unhealthy Complexion Listening to the Sound of the Sea (The Two Balconies), 1929
- 1929 Phantasmagoria, 1929
- 1929 Portrait of Paul Eluard, 1929
- 1929 Profanation of the Host, 1929
- 1929 Studies for «The Enigma of Desire» and «Memory of the Child-Woman», 1929
- 1929 Study for «the Enigma of Desire — My Mother, My Mother, My Mother», 1929
- 1929 Study for «The Great Masturbator», 1929
- 1929 Study for «The Lugubrious Game», 1929
- 1929 Study for «Invisible Sleeping Woman, Horse, Lion» and for «Paranoiac Woman-Horse», 1929-30
- 1930 Andromeda, 1930
- 1930 The Average Bureaucrat, 1930
- 1930 The Bleeding Roses, 1930
- 1930 Chocolate, 1930
- 1930 Consequences: Dalí, Gala Eluard, Valentine Hugo, Andre Breton, 1930
- 1930 The Feeling of Becoming, 1930
- 1930 The Font, 1930
- 1930 The Ghost of the Evening, 1930
- 1930 Gradiva (Study for «The Invisible Man»), 1930
- 1930 The Great Masturbator, 1930
- 1930 The Great Masturbator — Frontispiece for «The Visible Woman», 1930
- 1930 The Hand, 1930
- 1930 Head of Hair, 1930
- 1930 Invisible Sleeping Woman, 1930
- 1930 Invisible Sleeping Woman, 1930
- 1930 Oedipus Complex, 1930
- 1930 Paranoiac Woman-Horse, 1930
- 1930 Portrait of Mr. Emilio Terry (unfinished), 1930
- 1930 Premature Ossification of a Railway Station, 1930
- 1930 Pyre. Poster Design for the 10th Anniversary of the French Communist Party, 1930
- 1930 The Red Tower (Anthropomorphic Tower), 1930
- 1930 Study for «The Dream», 1930
- 1930 Study for «Invisible Sleeping Woman, Horse, Lion», 1930
- 1930 Study for «Invisible Sleeping Woman, Horse, Lion», 1930
- 1930 Tactile Cinema, 1930-31
- 1930 Untitled — Feminine Nude — Frontispiece of «La Femme Visible», 1930
- 1930 Vertigo, 1930
- 1930 William Tell, 1930
- 1931 Board of Demented Associations (Fireworks), 1931
- 1931 Combinations (or The Combined Dalínian Phantasms: Ants, Keys, Nails), 1931
- 1931 Diurnal Illusion: the Shadow of a Grand Piano Approaching, 1931
- 1931 The Dream, 1931
- 1931 Erotic Drawing, 1931
- 1931 Figure Clock, 1931
- 1931 Gradiva, 1931
- 1931 Gradiva Finds the Anthropomorphic Ruins, 1931
- 1931 Landscape, 1931
- 1931 Le Spectre et le Fantome, 1931
- 1931 Mme. Reese, 1931
- 1931 The Old Age of William Tell, 1931
- 1931 Olive, 1931
- 1931 On the Seashore, 1931
- 1931 Paranoiac Visage — Postcard Sent by Picasso to Dalí, 1931
- 1931 Partial Hallucination. Six apparitions of Lenin on a Grand Piano, 1931
- 1931 The Persistence of Memory, 1931
- 1931 Portrait of Gala, 1931
- 1931 Remorse or Sunken Sphinx, 1931
- 1931 Shades of Night Descending, 1931
- 1931 Solitude, 1931
- 1931 Symbiosis of a Head of Seashells, 1931
- 1931 Untided (William Tell and Gradiva), 1931
- 1931 Untitled, 1931
- 1931 Untitled — Erotic Drawing, 1931
- 1931 Vegetable Metamorphosis, 1931
- 1931 Woman Sleeping in a Landscape, 1931
- 1931 They Were There, 1931
- 1932 Agnostic Symbol, 1932
- 1932 Anthropomorphic Bread, 1932
- 1932 Anthropomorphic Bread, 1932
- 1932 Automatic Beginning of a Portrait of Gala (unfinished), 1932
- 1932 The Average Fine and Invisible Harp, 1932
- 1932 Babaouo, 1932
- 1932 Babaouo — Publicity Announcement for the Publication of the Scenario of the Film, 1932
- 1932 The Birth of Liquid Desires, 1932
- 1932 The Birth of Liquid Fears, 1932
- 1932 Detail of «Meditation on The Harp», 1932-34
- 1932 Diurnal Fantasies, 1932
- 1932 The Dream Approaches, 1932-33
- 1932 Eggs on the Plate Without the Plate, 1932
- 1932 Eggs on the Plate Without the Plate, 1932
- 1932 Figure Study for «William Tell», 1932
- 1932 Frontispiece for «Le Revolver Ii, Cheveux Blancs» by Andre Breton, 1932
- 1932 Gradiva, 1932
- 1932 The Invisible Man, 1932
- 1932 The Knight at the Tower, 1932
- 1932 The Meeting of the Illusion and the Arrested Moment — Fried Eggs Presented in a Spoon, 1932
- 1932 Memory of the Child-Woman, 1932
- 1932 The Mysterious Sources of Harmony, 1932-33
- 1932 Nostalgia of the Cannibal, 1932
- 1932 Ordinary French Loaf with Two Fried Eggs Riding Without a Plate, 1932
- 1932 Paranoaic Metamorphosis of Gala’s Face, 1932
- 1932 Phosphene of Laporte, 1932
- 1932 Portrait of the Viscountess Marie-Laure de Noailles, 1932
- 1932 Portrait of Gala, 1932-33
- 1932 Preliminary Study for «Portrait of Vicomtesse Marie-Laure Cle Noailles», 1932
- 1932 Studies for «Weaning of Furniture-Nutrition», 1932-33
- 1932 Study for the Nurse in «The Weaning of Furniture-Nutrition», 1932-33
- 1932 Study for «Large Painting», 1932
- 1932 Study for «Meditation on The Harp», 1932-33
- 1932 Study for «Memory of the Child-Woman», 1932
- 1932 Suez, 1932
- 1932 Surrealist Architecture, 1932
- 1932 Surrealist Essay, 1932
- 1932 Surrealist Object Gauge of Instantaneous Memory, 1932
- 1932 The True Painting of «The Isle of the Dead» by Arnold Bocklin at the Hour of the Angelus, 1932
- 1932 Untitled, 1932
- 1932 Untitled (Erotic Drawing), 1932
- 1932 Untitled — Cyclist with a Loaf of Bread on His Head, 1932
- 1932 Untitled — Female Figure with Catalonian Bread, 1932
- 1932 The Veiled Heart, 1932
- 1932 William Tell, Gradiva and The Average Bureaucrat, 1932
- 1933 Ambivalent Image, 1933
- 1933 Apparition of My Cousin Carolineta on the Beach at Rosas, 1933
- 1933 The Architectural Angelus of Millet, 1933
- 1933 Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp, 1933
- 1933 Bureaucrat and Sewing Machine — Illustration for «Les Chants de Maldoror», 1933
- 1933 The Bust of a Retrospective Woman, 1933
- 1933 Cannibalism of Objects (inscribed: Meat Glass, Meat Aeroplane, Meat Spoon, Meat Watch, Meat Head), 1933
- 1933 Cannibalism. Illustrations for «Les Chants De Maldoror» by Lautreamont, 1933
- 1933 The Enigma of William Tell, 1933
- 1933 Flesh Aeroplane. Illustration for «Les Chants De Maldoror» by Lautreamont, 1933
- 1933 Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses, 1933
- 1933 Geological Destiny, 1933
- 1933 Gradiva, 1933
- 1933 Illustration for Les Chants de Maldoror by the Count of Lautreamont, 1933-34
- 1933 The Judges, 1933
- 1933 Knight of Death (variant), 1933
- 1933 Myself at the Age of Ten When I Was the Grasshopper Child, 1933
- 1933 Necrophilic Fountain Flowing from a Grand Piano, 1933
- 1933 The Phantom Cart, 1933
- 1933 The Phantom Cart, 1933
- 1933 The Phenomenon of Ecstasy, 1933
- 1933 Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
- 1933 Reverie — Password: Mess Up, All the Slate, 1933
- 1933 Soft Watches, 1933
- 1933 Study for «The Enigma of William Tell», 1933
- 1933 Study for «Portrait of the Vicomtesse de Noailles», 1933
- 1933 Sugar Sphinx, 1933
- 1933 Sugar Sphinx (detail), 1933
- 1933 Surrealist Figure in the Landscape of Port Lligat, 1933
- 1933 Surrealist Figures, Joint Drawing by Dalí and Picasso, 1933
- 1933 Surrealist Horse — Woman-Horse, 1933
- 1933 The Temple of Love, 1933
- 1933 The Triangular Hour, 1933
- 1933 Two Faces of Gala, 1933-34
- 1933 Untitled, 1933-34
- 1933 Untitled (Study for Parts of «Invisible Harp, Fine and Medium» and Parts of «Skull with Its Lyric Appendage Leaning on a Bedside, Table…»), 1933
- 1933 Untitled — Death Outside the Head/Paul Eluard, 1933
- 1934 Aerodynamic Chair, 1934
- 1934 Allegory of an American Christmas, 1934
- 1934 Apparition of My Cousin Carolinetta on the Beach at Rosas, 1934
- 1934 Atavism at Twilight, 1934
- 1934 Atavistic Vestiges After the Rain, 1934
- 1934 Atmospheric Skull Sodomizing a Grand Piano, 1934
- 1934 Bust of Joella Lloyd, 1934
- 1934 Cannibalism of the Praying Mantis of Lautreamont, 1934
- 1934 Cardinal, 1934
- 1934 Conic Anamorphosis, 1934
- 1934 Consequences, 1934
- 1934 Consequences: Gala Eluard, Dalí, Andre Breton, Valentine Hugo, 1934
- 1934 Consequences: Gala Eluard, Valentine Hugo, Andre Breton, Dalí, 1934
- 1934 Consequences: Valentine Hugo, Andre Breton, Gala Eluard, Dalí, 1934
- 1934 Consequences: Valentine Hugo, Dalí, Andre Breton, Gala Eluard, 1934
- 1934 Eclipse and Vegetable Osmosis, 1934
- 1934 Enigmatic Elements in the Landscape, 1934
- 1934 Figure — Omelettes, 1934
- 1934 Figure and Drapery in a Landscape, 1934
- 1934 Figure with Drawers for a Four-part Screen, 1934
- 1934 Fossil Cloud, 1934
- 1934 The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934
- 1934 The Ghost of Vermeer van Delft, 1934
- 1934 Ghost of Vermeer Van Delft, 1934
- 1934 Hairdresser Depressed by the Persistent Good Weather, 1934
- 1934 Homage to Millet — for CeciIe, in Friendship, 1934
- 1934 The Hour of the Crackled Visage, 1934
- 1934 Hysterical and Aerodynamic, Nude — Woman on the Rock, 1934
- 1934 The Invisible Harp, 1934
- 1934 The Isle of the Dead — Centre, Section — Reconstructed, Compulsive Image, After Becklin, 1934
- 1934 The Javanese Mannequin, 1934
- 1934 The Knight of Death, 1934
- 1934 The Knight of Death (Horseman), 1934
- 1934 The Little Theater, 1934
- 1934 Masochistic Instrument, 1934
- 1934 Meditation on the Harp, 1934
- 1934 Melancholy — to Marcel Remy in Friendship, Salvador Dalí, 1934
- 1934 Moment of Transition, 1934
- 1934 Morning Ossification of the Cypress, 1934
- 1934 Night Spectre on the Beach, 1934
- 1934 Omelette About to Be Irreparably Crushed by Hands, 1934
- 1934 Omelettes with Dynamic, Mixed Herbs, 1934
- 1934 Paranoiac Astral Image, 1934
- 1934 Persistence of Fair Weather, 1934
- 1934 Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose), 1934
- 1934 Portrait of Rene Crevel (Dedicated to Julien Green), 1934
- 1934 Portrait of Rene Crevel (Man with a Cigarette), 1934
- 1934 Portrait of a Woman, 1934
- 1934 The Sense of Speed, 1934
- 1934 The Ship, 1934-35
- 1934 The Signal of Anguish, 1934
- 1934 Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal’s Nest, 1934
- 1934 The Specter of Sex Appeal, 1934
- 1934 The Spectre of the Angelus, 1934
- 1934 Study for «Cardinal, Cardinal!», 1934
- 1934 Surrealist Furniture. Preparatory Drawing for Singularities, 1934-35
- 1934 Surrealist Knight for a Four-part Screen, 1934
- 1934 Surrealist Knights for a Four-part Screen, Centre Right, 1934
- 1934 Surrealist Poster, 1934
- 1934 Surrealist Warriors for a Four-part Screen, Centre Left, 1934
- 1934 Title Unknown — Ghost, 1934
- 1934 The Tower, 1934
- 1934 Untitled (Desert Landscape), 1934
- 1934 Untitled (Dreams on the Beach), 1934
- 1934 Untitled — Young Girl with a Skull, 1934
- 1934 The Weaning of Furniture-Nutrition, 1934
- 1934 West Side of the Isle of the Dead — Reconstructed Compulsive Image After Becklin, 1934
- 1935 The Angelus of Gala, 1935
- 1935 Archaeological Reminiscence of Millet’s Angelus, 1935
- 1935 Don Quixote, 1935
- 1935 Drawing for «American Weekly», 1935
- 1935 The Echo of the Vold, 1935
- 1935 Exquisite Cadaver, 1935
- 1935 Face of Mae West Which May Be Used as an Apartment, 1935
- 1935 The Horseman of Death, 1935
- 1935 Landscape After De Chirico (unfinished), 1935
- 1935 Mediumnistic-Paranoiac Image, 1935
- 1935 Nostalgic Echo, 1935
- 1935 The Nostalgic Echo, 1935
- 1935 Paranoiac Visage, 1935
- 1935 Paranoiac Visage — The Postcard Transformed, 1935
- 1935 Paranoiac-Critical Solitude, 1935
- 1935 Paranonia, 1935-36
- 1935 Poster Project, 1935
- 1935 Puzzle of Autumn, 1935
- 1935 Soft Cramas and Skull Harp, 1935
- 1935 Solitude — Anthropomorphic Echo, 1935
- 1935 Study for «Premonition of Civil War», 1935
- 1935 Study for «Premonition of Civil War», 1935
- 1935 Study for «Premonition of Civil War», 1935
- 1935 Study for «Suburbs of a Paranoiac-Critical Town», 1935
- 1935 The Surrealist Mystery of New York I, 1935
- 1935 Thought Machine — Illustration for «The Secret Life of Salvador Dalí», 1935
- 1935 Woman in a Hat Sitting on a Beach. Drawing for «American Weekly», 1935
- 1935 Woman with a Head of Roses, 1935
- 1936 Ampurdanese Yang and Yin, 1936
- 1936 Ant Face. Drawing for the Catalogue Jacket of Dalí's Exhibition at the Alex Reid and Lefevre Gallery in London, 1936
- 1936 The Anthropomorphic Cabinet, 1936
- 1936 The Ants, 1936-37
- 1936 Aphrodisiac Dinner Jacket, 1936
- 1936 Aphrodisiac Dinner Jacket, 1936
- 1936 Apparition of the Town of Delft, 1936
- 1936 Autumn Cannibalism, 1936
- 1936 Beach Scene (detail study), 1936
- 1936 Blactric Collars, 1936
- 1936 Bread on the Head of the Prodigal Son, 1936
- 1936 Bust with Drawers, 1936
- 1936 A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936
- 1936 The City of Drawers, 1936
- 1936 The City of Drawers — Study for the «Anthropomorphic Cabinet», 1936
- 1936 The City of Drawers — Study for the «Anthropomorphic Cabinet», 1936
- 1936 A Couple with Their Heads Full of Clouds, 1936
- 1936 A Couple with Their Heads Full of Clouds, 1936
- 1936 Cover of «Minotaure» Magazine, 1936
- 1936 Decalcomania, 1936
- 1936 The Dream places a Hand on a Man’s Shoulder, 1936
- 1936 The Forgotten Horizon, 1936
- 1936 The Fossilized Automobile of Cape Creus, 1936
- 1936 Freudian Portrait of a Bureaucrat, 1936
- 1936 Gala’s Head — Rear View, 1936
- 1936 Geodesic Portrait of Gala, 1936
- 1936 Geological Justice, 1936
- 1936 The Great Paranoiac, 1936
- 1936 Hands Chair, 1936
- 1936 Head of a Woman in the Form of a Battle, 1936
- 1936 Hypnagogic Monument, 1936
- 1936 Landscape with Girl Skipping Rope, 1936
- 1936 Lobster Telephone, 1936
- 1936 Mae West’s Lips Sofa, 1936-37
- 1936 The Man with the Head of Blue Hortensias, 1936
- 1936 Man with His Head Full of Clouds, 1936
- 1936 Messenger in a Palladinian Landscape, 1936
- 1936 Morphological Echo, 1936
- 1936 «Morphological Echo», 1936
- 1936 Necrophiliac Springtime, 1936
- 1936 Night and Day Clothes, 1936
- 1936 Our Love, 1936
- 1936 The Pharmacist of Ampurdan in Search of Absolutely Nothing, 1936
- 1936 Singularities (Singularitats), 1936
- 1936 Soft Construction with Boiled Beans — Premonition of Civil War, 1936
- 1936 South (Noon), 1936
- 1936 Study for the Cover of «Minotaure», No. 8, 1936
- 1936 Study for "A Couple with Their Heads Full of Clouds " (detail), 1936
- 1936 Study for «Geodesic Portrait of Gala», 1936
- 1936 Study for «Spain», 1936
- 1936 Study of Horsemen, 1936
- 1936 Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History, 1936
- 1936 Sun Table, 1936
- 1936 Surrealist Composition with Invisible Figures (second version of «Rocks of Llané»), 1936
- 1936 Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra, 1936
- 1936 Venus de Milo with Drawers, 1936
- 1936 Venus De Milo with Drawers, 1936
- 1936 The Vertebrate Grotto — Transfer Series, 1936
- 1936 White Calm, 1936
- 1936 Woman with Drawers, 1936
- 1937 Anatomical Studies — Transfer Series, 1937
- 1937 Average Pagan Landscape, 1937
- 1937 Burning Giraffe, 1937
- 1937 The Burning Giraffe, 1937
- 1937 Cannibalism of the Objects, 1937
- 1937 Creation of the Monsters, 1937
- 1937 Dinner in the Desert, 1937
- 1937 Dinner in the Desert Lighted by Giraffes on Fire, 1937
- 1937 Drawers Cannibalism (Composition with Drawers), 1937
- 1937 Enchanted Beach (Long, Siphon), 1937
- 1937 Herodias, 1937
- 1937 How Skyscrapers Will Look in 1987 (Drawing for «American Weekly»), 1937
- 1937 The Hysterical Arch, 1937
- 1937 Imaginary Portrait of Lautréamont at the Age of Nineteen, 1937
- 1937 The Invention of the Monsters, 1937
- 1937 Knights of Death, 1937
- 1937 Metamorphosis of Narcissus, 1937
- 1937 Palladio’s Thalia Corridor, 1937
- 1937 Perspectives, 1937
- 1937 Portrait of Freud, 1937
- 1937 Queen Salome, 1937
- 1937 Sleep, 1937
- 1937 Study for «The False Inspection» (False Perspective), 1937
- 1937 Study for «The Metamorphosis of Narcissus», 1937
- 1937 Surrealist Dinner on a Bed (Drawing for a Film Project with the Marx Brothers), 1937
- 1937 Surrealist Gondola Above Burning Bicycles (Drawing for a Film Project with the Marx Brothers), 1937
- 1937 Swans Reflecting Elephants, 1937
- 1937 Untitled — Hysterical Scene, 1937
- 1937 Untitled — Lamp with Drawers (Drawing for an interior), 1937
- 1937 Untitled — Standard Lamp With Crutches (Drawing for an interior), 1937
- 1937 Untitled — Woman with a Flower Head, 1937
- 1937 Visions of Eternity, 1937
- 1937 The Woman in Flames, 1937
- 1938 Apparition of the Figure of Vermeer on the Face of Abraham Lincoln. Study for «The Image Disappears», 1938
- 1938 Apparition of Face and Fruit Dish on a Beach, 1938
- 1938 Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat, 1938
- 1938 Beach with Telephone, 1938
- 1938 Coccyx Women, 1938
- 1938 Composition — Two Women with a Town in the Background, 1938
- 1938 Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone, 1938
- 1938 Enchanted Beach with Three Fluid Graces, 1938
- 1938 The Endless Enigma, 1938
- 1938 Face of the Great Cyclopean Cretin, 1938
- 1938 Fantastic Beach Scene with Skeleton and Parrot, 1938
- 1938 Gradiva, 1938
- 1938 Greyhound, 1938
- 1938 The Image Disappears, 1938
- 1938 Imaginary Figures with a Background of Spanish Monuments (Study for the Costumes for Coco Chanel), 1938
- 1938 Imperial Violets, 1938
- 1938 Impressions of Africa, 1938
- 1938 Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
- 1938 Mandolin, Fruit Dish With Pears, Two Figs on a Table, 1938
- 1938 Mythological Beast, 1938
- 1938 Palladio’s Corridor of Dramatic Surprise, 1938
- 1938 Philosopher Reclining, 1938
- 1938 Portrait of Sigmund Freud, 1938
- 1938 Portrait of Sigmund Freud — Morphology of the Skull of Sigmund Freud. Illustration for «The Secret Life of Salvador Dalí», 1938
- 1938 Spain, 1938
- 1938 Study for the Self-portrait in «Impressions of Africa», 1938
- 1938 Study for the Self-portrait in «Impressions of Africa», 1938
- 1938 Study for The Image Disappears, 1938
- 1938 The Sublime Moment, 1938
- 1938 The Transparent Simulacrum of the Feigned Image, 1938
- 1938 Untitled, 1938
- 1938 Untitled — Figure (unfinished), 1938-39
- 1938 The Warning, 1938
- 1939 Actress Betty Stockfeld Is Metamorphosed into a Nurse, 1939
- 1939 Apparition of a War Scene on the Face of Lieutenant Deschanel. Cover of «Match», 1939
- 1939 Baby Map of the World, 1939
- 1939 Bacchanale, 1939
- 1939 Ballerina in a Death’s Head, 1939
- 1939 Drawing for «Bacchanale», 1939
- 1939 The Dream of Venus, 1939
- 1939 The Enigma of Hitler, 1939
- 1939 Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat), 1939
- 1939 Gradiva Becoming Fruits, Vegetables, Pork, Bread, and Grilled Sardine, 1939
- 1939 Gradiva, She Who Advances, 1939
- 1939 Group of Figures, 1939
- 1939 Landscape with Telephones on a Plate, 1939
- 1939 Mad Tristan, 1939
- 1939 Masked Mermaid in Black, 1939
- 1939 Metamorphosis of the Five Allegories of Giovanni Bellini, 1939
- 1939 Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer, 1939
- 1939 Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer, 1939
- 1939 Philosopher Illuminated by the Light of the Moon and the Setting Sun, 1939
- 1939 Portrait of Gala (unfinished; detail), 1939
- 1939 Portrait of Sigmund Freud from «The Secret Life», 1939
- 1939 Psychoanalysis and Morphology Meet, 1939
- 1939 Set for «Bacchanale», 1939
- 1939 Shirley Temple, 1939
- 1939 Sirens and Graces — Set Design for Dalí's «Bacchanale», 1939
- 1939 The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy’s in New York., 1939
- 1939 Study for Apparition of a Vermeer Figure on Abraham Lincoln’s Face, 1939
- 1939 Study for Portrait of Gala, 1939
- 1939 Study for a Ballet Backdrop, 1939
- 1939 Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
- 1940 Allegory of Sunset Air (Allegory of the Everning), 1940-41
- 1940 Arches with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire, 1940
- 1940 Centaur (The Triumph of Nautilus), 1940
- 1940 Daddy Longlegs of the Evening… Hope!, 1940
- 1940 Etudes d’Anges, 1940
- 1940 Family of Marsupial Centaurs, 1940
- 1940 Figures on the Stairs, 1940
- 1940 The Golden Age — Family of Marsupial Centaurs, 1940-41
- 1940 Group of Women Imitating the Gestures of a Schooner, 1940
- 1940 Lady Louis Mountbatten, 1940
- 1940 March of Time Comittee — Papillon, 1940
- 1940 Old Age, Adolescence, Infancy (The Three Ages), 1940
- 1940 Perforated House with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire, 1940
- 1940 Slave Market with the Disappearing Bust of Voltaire, 1940
- 1940 Two Pieces of Bread, Expressing the Sentiment of Love, 1940
- 1940 Untitled (Three Figures and a Cypress), 1940
- 1940 Visage of War, 1940
- 1941 Cafe Scene. The Figures at the Table Make a Skull — Drawing for the Nightmare in «Moontide», 1941
- 1941 Car Clothing (Clothed Automobile), 1941
- 1941 Costume for a Nude with a Codfish Tail, 1941
- 1941 Design for the Set of «Labyrinth», 1941
- 1941 Design for «Labyrinth», 1941
- 1941 Drawing for the Glass Hallucination in Hitchcock’s Film «Moontide (the House of Dr. Edwards)», 1941
- 1941 The Eye of Time, 1941
- 1941 The Face of War — Drawing for the Nightmare Scene in the Film «Moontide», 1941
- 1941 Honey is Sweeter than Blood, 1941
- 1941 Invisible Bust of Voltaire, 1941
- 1941 Jewel, 1941
- 1941 Maquette of the scenery for «Labyrinth», 1941
- 1941 Mysterious Mouth Appearing in the Back of My Nurse, 1941
- 1941 Original Sin, 1941
- 1941 The Persistence of Memory, 1941
- 1941 Portrait of Gala, 1941
- 1941 Portrait of Gala. Study for «Galarina», 1941
- 1941 Portrait of Mrs. George Tait, II, 1941
- 1941 Ruin with Head of Medusa and Landscape, 1941
- 1941 Set of «Tristan and Isolde», 1941
- 1941 Soft Self-portrait with Grilled Bacon, 1941
- 1941 Study for Slave Market with the Appearance of the Invisible Bust of Voltaire, 1941
- 1941 Study for «Original Sin», 1941
- 1941 Study for «Portrait of Mrs. Georges Tait, II», 1941
- 1941 Temple — Sketch for a Set Design, 1941
- 1941 The Triumph of Nautilus, 1941
- 1942 Birth of a New World, 1942
- 1942 Composition (Two Harlequins), 1942
- 1942 Decor for «Romeo et Juliet», 1942
- 1942 Design for the Interior Decoration of a Stable-Library, 1942
- 1942 Design for the set of «Romeo and Juliet», 1942
- 1942 Design for the set of «Romeo and Juliet» (backdrops and wing flats), 1942
- 1942 Design for a poster for «The Secret Life of Salvador Dalí», 1942
- 1942 Divine Couple — Sketch for «Nativity of a New World», 1942
- 1942 Equestrian Parade (possibly Set Design for «Romeo and Juliet»), 1942
- 1942 The Flames, They Call, 1942
- 1942 Juliet’s Tomb, 1942
- 1942 Maternite Aux Oiseaux, 1942
- 1942 Melancholy, 1942
- 1942 Mural Painting for Helena Rubinstein (panel 1), 1942
- 1942 Mural Painting for Helena Rubinstein (panel 2), 1942
- 1942 Mural Painting for Helena Rubinstein (panel 3), 1942
- 1942 Nude on the Plain of Rosas, 1942
- 1942 Portrait of the Marquis De Cuevas, 1942
- 1942 Portrait of Mrs. Luther Greene, 1942
- 1942 Portrait of Mrs. Ortiz-Linares, 1942
- 1942 Romeo and Juliet Memorial, 1942
- 1942 Saint George and the Dragon, 1942
- 1942 The Sheep, 1942
- 1942 Study for the campaign against venereal disease: «Soldier Take Warning», 1942
- 1942 Study for the portrait «Princess Arthchild Gourielli-Helena Rubinstein», 1942-43
- 1942 Study for the Set of «Labyrinth» — Fighting the Minotaur, 1942
- 1942 Study for the set of «Romeo and Juliet», 1942
- 1942 The Two on the Cross, 1942
- 1942 Untitled — Design for the Mural Painting for Helena Rubinstein, 1942
- 1942 Untitled — for the campaign against venereal disease, 1942
- 1942 Untitled — Set Design (Figures Cut in Three), 1942
- 1942 William Tell Group, 1942-43
- 1943 The Broken Egg, 1943
- 1943 Condottiere (Self-Portrait as Condottiere), 1943
- 1943 Geopoliticus Child Watching the Birth of the New Man, 1943
- 1943 Le Mendicant, 1943
- 1943 Madonna, 1943
- 1943 Madonna of the Birds, 1943
- 1943 The Madonna of the Birds with Two Angels, 1943
- 1943 Painting for the backdrop of «Cafe De Chinitas», 1943
- 1943 The Poetry of America (unfinished), 1943
- 1943 Portrait of Ambassador Cardenas, 1943
- 1943 Portrait of Mrs. Harrison Williams, 1943
- 1943 Princess Arthchil Gourielli (Helena Rubinstein), 1943
- 1943 Saint Sebastian, 1943
- 1943 The Ship, 1943
- 1943 Stage Curtain for the Ballet «Cafe De Chinitas», 1943
- 1943 Study for «Galarina», 1943
- 1943 The Triumph of Tourbillon, 1943
- 1943 Untitled — New Accessoires, 1943
- 1944 The Apotheosis of Homer, 1944-45
- 1944 Dance — the Seven Arts, 1944
- 1944 Drawing for the dust jacket of «Hidden Faces», 1944
- 1944 Frontispiece for «Hidden Faces» — I Am the Lady…, 1944
- 1944 Gala Naked. Study for «Dream Caused by the Flight of a Bee…», 1944
- 1944 Galarina, 1944-45
- 1944 Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long, 1944-45
- 1944 Leg Composition. Drawing from a series of advertisements for Bryans Hosiery, 1944
- 1944 Mad Tristan, 1944
- 1944 Monumental Shield for «Hidden Faces», 1944
- 1944 Music — The Red Orchestra — The Seven Arts, 1944
- 1944 One Second Before Awakening from a Dream Caused by the Flight of a Bee Around a Pomegranate, 1944
- 1944 Paranoia (Surrealist Figures), 1944
- 1944 Sentimental Colloquy (Study for a Ballet), 1944
- 1944 Study for «The Apotheosis of Homer», 1944
- 1944 Study for the Backdrop of «Mad Tristan» (Act II), 1944
- 1944 Study for the set of the ballet «Tristan Insane» (Act 1), 1944
- 1944 Tristan and Isolde, 1944
- 1944 «Tristan and Isolde» — study for the set of the ballet «Bacchanale», 1944
- 1944 «Tristan Insane»: Costumes for the Spirits of Death, 1944
- 1944 Untitled — the Seven Arts, 1944
- 1944 Untitled — the Seven Arts, 1944
- 1944 Untitled — the Seven Arts, 1944
- 1944 Untitled — Design for the ball in the dream sequence in «Spellbound», 1944
- 1944 Women Metamorphosed — the Seven Arts, 1944
- 1945 Autumn Sonata, 1945
- 1945 Basket of Bread, 1945
- 1945 The Broken Bridge and the Dream, 1945
- 1945 Design for the Film 'Spellbound' (1), 1945
- 1945 Design for the Film 'Spellbound' (2), 1945
- 1945 Design for the set of the film «Spellbound», 1945
- 1945 Don Quixote and the Windmills, 1945
- 1945 Drawing for «Spellbound», 1945
- 1945 The Eye, 1945
- 1945 Fountain of Milk Spreading Itself Uselessly on Three Shoes, 1945
- 1945 Four Illustrations: Female Figures with Candle, 1945
- 1945 Illustration for «The Autobiography of Benvenuto Cellini», 1945
- 1945 Illustration for «The Autobiography of Benvenuto Cellini», 1945
- 1945 Illustration for «The Autobiography of Benvenuto Cellini», 1945
- 1945 Melancholy, 1945
- 1945 My Wife, Naked, Looking at her own Body, 1945
- 1945 Napoleon’s Nose, 1945
- 1945 Portrait of Mrs. Isabel Styler-Tas, 1945
- 1945 Poster for a Ballet, 1945
- 1945 Resurrection of the Flesh, 1945
- 1945 Shop Window with Sewing Machine and Umbrella, 1945
- 1945 Spellbound, 1945
- 1945 Study for the dream sequence in «Spellbound», 1945
- 1945 Study for «Portrait of Mrs. Isabel Styler-Tas», 1945
- 1945 Three Apparitions of the Visage of Gala, 1945
- 1945 Untitled — Portrait of a Woman, 1945
- 1945 Untitled — Scene with Marine Allegory, 1945
- 1945 Victory — Woman Metamorphosing into a Boat with Angels, 1945
- 1946 Benvenuto Cellini and Jupiter, 1946
- 1946 Christmas (Noel), 1946
- 1946 Composition — Portrait of Mrs. Eva Kolsman, 1946
- 1946 Desert Trilogy — Apparition of a Couple in the Desert — for «Desert Flower» perfume, 1946
- 1946 Desert Trilogy — Apparition of a Woman and Suspended Architecture in the Desert — for «Desert Flower» perfume, 1946
- 1946 Desert Trilogy — Flower in the Desert, 1946
- 1946 Double Image for «Destino», 1946
- 1946 Drawing for Disney’s «Destino», 1946-47
- 1946 Madonna, 1946
- 1946 Metamorphose, 1946
- 1946 Nude in the Desert Landscape, 1946
- 1946 One of 13 illustrations for Shakespeare’s «Macbeth», 1946
- 1946 The Stain, 1946
- 1946 Study for the «Desert» Perfume Advertisement, 1946
- 1946 The Temptation of Saint Anthony, 1946
- 1946 Untitled (Spanish Dances in a Landscape), 1946
- 1947 The Annunciation, 1947
- 1947 Battle Over a Dandelion, 1947
- 1947 Cathedral of Thumbs (The Thumbs), 1947
- 1947 Dematerialization Near the Nose of Nero, 1947
- 1947 Design for «Destino», 1947
- 1947 Design for «Destino», 1947
- 1947 Drawing for «50 Secrets of Magic Craftsmanship», 1947
- 1947 Feather Equilibrium (Interatomic Balance of a Swan’s Feather), 1947
- 1947 Hollywood, 1947
- 1947 Hollywood. Cover illustration for «Sunset» magazine, 1947
- 1947 The Impossible Model (drawing for «50 Secrets of Magic Craftsmanship»), 1947
- 1947 Jour de la Vierge, 1947
- 1947 Portrait of Picasso, 1947
- 1947 Rock and Infuriated Horse Sleeping Under the Sea, 1947
- 1947 Studies for the air centers and soft morphologies of «Leda Atomica», 1947
- 1947 Study for Dematerialization of the Nose of Nero, 1947
- 1947 Study for Leda Atomica, 1947
- 1947 Study for «Leda Atomica», 1947
- 1947 The Three Sphinxes of Bikini, 1947
- 1947 Untitled (Temple Frontage with Atomic Explosions), 1947
- 1947 Wheat Ear, 1947
- 1948 Drawing for the programme for the ballet «As You Like It» after Shakespeare’s comedy, 1948
- 1948 The Elephants, 1948
- 1948 Leda Atomica (first unfinished version), 1948
- 1948 Portrait of Mrs. Mary Sigall, 1948
- 1948 Portrait of Nada Pachevich, 1948
- 1948 Study for a Portrait (unfinished), 1948
- 1948 Untitled (Landscape), 1948
- 1948 Untitled (Male Nude in a Landscape), 1948
- 1948 Untitled — Illustration for «50 Secrets of Magic Craftsmanship», 1948
- 1949 Four Armchairs in the Sky, 1949
- 1949 Future Martyr of Supersonic Waves, 1949-50
- 1949 «La Turbie» — Sir James Dunn Seated, 1949
- 1949 Lago di Garda, 1949
- 1949 Leda Atomica, 1949
- 1949 The Madonna of Port Lligat (first version), 1949
- 1949 May, 1949
- 1949 Naples, 1949
- 1949 Rome, 1949
- 1949 Set design for the ballet «Los Sacos Del Molinero», 1949
- 1949 Set design for the ballet «Los Sacos Del Molinero», 1949
- 1949 Set design for the ballet «Los Sacos Del Molinero», 1949
- 1949 Set design for the ballet «Los Sacos Del Molinero», 1949
- 1949 Set design for the ballet «Los Sacos Del Molinero», 1949
- 1949 Set design for the ballet «Los Sacos Del Molinero», 1949
- 1949 Study for «The Madonna of Port Lligat», 1949
- 1950 Angel (Study), 1950
- 1950 Ascent into the Sky, 1950
- 1950 Backdrop for «Don Juan Tenorio», 1950
- 1950 Carnation and Cloth of Gold, 1950
- 1950 Christ in Perspective, 1950
- 1950 Cork (study for «The Madonna of Port Lligat»), 1950
- 1950 The Creation of Eve — Gaining Twofold Living Nature from the Sleep of Man, 1950
- 1950 Dalí at the Age of Six, 1950
- 1950 Dalí's Moustache, 1950
- 1950 Design for the death scene in «Don Juan Tenorio», 1950
- 1950 Erotic Beach, 1950
- 1950 The Judgement of Paris, 1950
- 1950 Kneeling Figure (Microphysical Phosphenes), 1950-51
- 1950 Landscape of Port Lligat, 1950
- 1950 Landscape of Port Lligat with Homely Angels and Fisherman, 1950
- 1950 The Madonna of Port Lligat (detail), 1950
- 1950 The Madonna of Port Lligat (second version), 1950
- 1950 Metamorphosis and Dynamic Disintegration of a Cuttlefish Bone Becoming Gala (study for «The Madonna of Port Lligat»), 1950
- 1950 Mystical Carnation, 1950-51
- 1950 Rhinoceros Disintegrating, 1950
- 1950 The Soft Watch, 1950
- 1950 Study after «Madonna and Child» by Piero Della Francesca for «The Madonna of Port Lligat», 1950
- 1950 Study for the child in «The Madonna of Port Lligat», 1950
- 1950 Study for the drapery in «The Madonna of Port Lligat», 1950
- 1950 Study for a Backdrop, 1950
- 1950 Study for head of «Madonna of Port Lligat», 1950
- 1950 Study for «Myself at the Age of Six…», 1950
- 1951 Celestial Coronation, 1951
- 1951 Cerberrus. Illustration for Dante’s «Divine Comedy», 1951
- 1951 Christ of Saint John of the Cross, 1951
- 1951 Cosmic Contemplation, 1951
- 1951 Dante, 1951
- 1951 Exploding Flower, 1951
- 1951 Explosive Madonna, 1951
- 1951 The Fallen Angel. Illustration for Dante’s «Divine Comedy», 1951
- 1951 The Followers of Simon. Illustration for Dante’s «Divine Comedy», 1951
- 1951 Human Skull Consisting of Seven Naked Women’s Bodies, 1951
- 1951 Illustration for Dante’s «Divine Comedy», 1951
- 1951 Landscape with Cavalier and Gala, 1951
- 1951 A Logician Devil — Lucifer. Illustration for Dante’s «Divine Comedy», 1951
- 1951 Portrait of a Child (unfinished), 1951
- 1951 Portrait of Colonel Jack Warner, 1951
- 1951 Portrait of Katharina Cornell, 1951
- 1951 Portrait of Mrs. Jack Warner, 1951
- 1951 The Queen of the Butterflies, 1951
- 1951 Raphaelesque Head Exploding, 1951
- 1951 Raphaelesque Head Exploding, 1951
- 1951 Study for «Christ of St. John of the Cross», 1951
- 1951 Untitled (Ants and Wheat Ear), 1951
- 1951 The Wheelbarrows, 1951
- 1952 The Angel of Port Lligat, 1952
- 1952 The Angel of Port Lligat, 1952
- 1952 Arithmosophic Cross, 1952
- 1952 Asummpta Corpuscularia Lapislazulina, 1952
- 1952 The Disintegration of Persistence of Memory, 1952-54
- 1952 Equestrian Molecular Figure, 1952
- 1952 Eucharistic Still Life, 1952
- 1952 Exploding Head, 1952
- 1952 Foreshortening of Gala, 1952
- 1952 Gala Placida, 1952
- 1952 Galatea of the Spheres, 1952
- 1952 Head of a Gray Angel, 1952-54
- 1952 Madonna in Particles, 1952
- 1952 Madonna in Particles, 1952
- 1952 Nuclear Cross, 1952
- 1952 Nuclear Head of an Angel, 1952
- 1952 Opposition, 1952
- 1952 Raphaelesque Dynamics, 1952
- 1952 Study for the Head of the Virgin, 1952
- 1952 The Tree, 1952
- 1953 Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet), 1953
- 1953 Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet), 1953
- 1953 Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet), 1953
- 1953 Dalí's design for a fashion contest under the Theme «The Woman of the Future», 1953
- 1953 The Grape Pickers: Bacchus’s Chariot, 1953
- 1953 The Royal Heart, 1953
- 1953 Tortoise for «Le Ballet Des Vendangeurs», 1953
- 1954 The Angel Cross, 1954
- 1954 Anthropomorphic Figure, 1954
- 1954 The Colossus of Rhodes, 1954
- 1954 Crucifixion, 1954
- 1954 Crucifixion ('Corpus Hypercubus'), 1954
- 1954 Dalí Nude, 1954
- 1954 Equestrian Fantasy — Portrait of Lady Dunn, 1954
- 1954 Gala Contemplating the Corpus Hypercubicus, 1954
- 1954 Galatée, 1954
- 1954 Head Bombarded with Grains of Wheat (Particle Head Over the Village of Cadaqués), 1954
- 1954 Le Papillon au Rocher, 1954
- 1954 The Lighthouse at Alexandria, 1954
- 1954 The Lighthouse at Alexandria, 1954
- 1954 Madonna and Particle Child (Nuclear Drawing), 1954
- 1954 The Maximum Speed of Raphael’s Madonna, 1954
- 1954 Microphysical Madonna, 1954
- 1954 Noon (Barracks of Port Lligat), 1954
- 1954 Portrait of Gala with Rhinocerotic Symptoms, 1954
- 1954 Portrait of Mrs. Ann Woodward, 1954
- 1954 Portrait of Mrs. Reeves, 1954
- 1954 The Pyramids and the Sphynx of Gizeh, 1954
- 1954 Rhinocerotic Disintegration of Illissus of Phidias, 1954
- 1954 Roman Cavalier in Spain, 1954
- 1954 Seven Flies and a Model, 1954
- 1954 Sketch for «Soft Watch, Exploding into 888 Pieces after Twenty Years of Complete Motionlessness», 1954
- 1954 Soft Watch at the Moment of First Explosion, 1954
- 1954 Statue of Olympic Zeus, 1954
- 1954 Symphony in Red, 1954
- 1954 Two Adolescents, 1954
- 1954 The Walls of Babylon, 1954
- 1954 Young Virgin Auto-Sodomized by Her Own Chastity, 1954
- 1955 Ascensionist Saint Cecilia, 1955
- 1955 Blue Horns. Design for a Scarf, 1955
- 1955 Combat (Microphysical Warriors), 1955
- 1955 Illustration for «Tres Picos», 1955
- 1955 The Lacemaker (copy of the painting by Vermeer Van Delft), 1955
- 1955 The Last Supper, 1955
- 1955 Paranoiac-Critical Study of Vermeer’s 'Lacemaker', 1955
- 1955 Portrait of Laurence Olivier in the Role of Richard III, 1955
- 1955 The Rhinoceros Dressed on Lace, 1955
- 1955 The Rhinoceros Dressed on Lace (detail), 1955
- 1955 Rhinocerotic Bust of Vermeer’s «Lacemaker», 1955
- 1955 Rhinocerotic Figures, 1955
- 1955 Rhinocerotic Portrait of Vermeer’s «Lacemaker», 1955
- 1955 Study for The Last Supper, 1955
- 1955 Two Disciples (Study for «Sacrament of the Last Supper»), 1955
- 1955 Untitled (The Amazing Adventure of Vermeer’s «Lacemaker»), 1955
- 1956 Anti-Protonic Assumption, 1956
- 1956 Assumpta Canaveral, 1956
- 1956 Don Quixote, 1956-57
- 1956 Don Quixote, 1956-57
- 1956 Don Quixote, 1956-57
- 1956 Don Quixote, 1956-57
- 1956 Fancy Costumes, 1956
- 1956 The Infant Jesus, 1956
- 1956 The Motionless Swallow. Study for «Still Life — Fast Moving», 1956
- 1956 Nature Morte Vivante (Living Still Life), 1956
- 1956 Rhinocerotic Gooseflesh, 1956
- 1956 Saint Surrounded by Three Pi-Mesons, 1956
- 1956 The Skull of Zurbarán, 1956
- 1956 St. Helena of Port Lligat, 1956
- 1956 Study for a fruit bowl in «Still Life — Fast Moving», 1956
- 1956 Study for «Nature Morte Vivante», 1956
- 1956 Untitled (Landscape with Butterflies), 1956
- 1956 Vase of Flowers, 1956
- 1956 Wine Glass and Boat, 1956
- 1957 Butterfly Landscape (The Great Masturbator in a Surrealist Landscape with D.N.A.), 1957-58
- 1957 Celestial Ride, 1957
- 1957 The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera), 1957
- 1957 The Golden Age (Don Quixote), 1957
- 1957 The Grand Opera, 1957
- 1957 Metamorphosed Women — The Seven Arts, 1957
- 1957 Modern Rhapsody — The Seven Arts, 1957
- 1957 Red Orchestra, 1957
- 1957 Rock 'n Roll, 1957
- 1957 Saint John, 1957
- 1957 Santiago El Grande, 1957
- 1957 Sorcery — The Seven Arts, 1957
- 1957 Swallow, 1957
- 1957 Untitled (Surrealist Landscape), 1957-58
- 1958 Allegorical Saint and Angels in Adoration of the Holy Spirit, 1958
- 1958 Angel, 1958
- 1958 Ascension, 1958
- 1958 The Ascension of Christ, 1958
- 1958 Christ. From «The Apocalypse of St. John», 1958
- 1958 Clown for «The Amazing Adventure of the Lacemaker and the Rhinoceros», 1958
- 1958 Cosmic Madonna, 1958
- 1958 Cover of «The Apocalypse of St. John», 1958
- 1958 Detail from «Moonlit Landscape with Accompaniment», 1958
- 1958 Dionysus Spitting the Complete Image of Cadaqués on the Tip of the Tongue of a Three-Storied Gaudinian Woman, 1958-60
- 1958 The Discovery of America by Christopher Columbus, 1958-59
- 1958 Landscape Near Port Lligat, 1958
- 1958 Logical Rapproachment of a Trouser Button and a Pair of Cherries, 1958
- 1958 Meditative Rose, 1958
- 1958 Metamorphosis of Hitler’s Face into a Moonlit Landscape with Accompaniment, 1958
- 1958 PI-Mesonic Angel, 1958
- 1958 The Pope’s Ear, 1958
- 1958 Portraif of Chester Dale and His Dog Coco, 1958
- 1958 Portrait of Sir James Dunn, 1958
- 1958 Radiolaire Skeleton. Illustration for «50 Secrets of Magic Craftsmanship», 1958
- 1958 Religious Scene in Particles, 1958
- 1958 The Sistine Madonna, 1958
- 1958 The Sistine Madonna (detail), 1958
- 1958 Study for «The Discovery of America by Christopher Columbus», 1958
- 1958 Velazquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory, 1958
- 1959 Christ on a Pebble, 1959
- 1959 Leda’s Swan, 1959
- 1959 Of the Very Monarchical Education of the Young, 1959
- 1959 Pieta. From «The Apocalypse of St. John», 1959
- 1959 Port Lligat at Sunset, 1959
- 1959 Portrait of Reinaldo Herrera Marquis De Torre Casa, 1959
- 1959 Study for «Woman Undressing», 1959
- 1959 The Vase of Cornflowers, 1959
- 1959 The Virgin of Guadalupe, 1959
- 1959 Woman Undressing, 1959
- 1960 The Apocalypse of Saint John, 1960
- 1960 Arabs. Study for «The Battle of Tetuan», 1960
- 1960 Beatrice, 1960
- 1960 Birth of a Divinity, 1960
- 1960 Birth of a Goddess, 1960
- 1960 Cathedral (unfinished), 1960
- 1960 Chair with the Wings of a Vulture, 1960
- 1960 The Cosmic Athlete, 1960
- 1960 The Ecumenical Council, 1960
- 1960 The Ecumenical Council, 1960
- 1960 A Fate of the Parthenon, 1960
- 1960 Female Seated Nude, 1960
- 1960 Figure In the Shape of a Cloud, 1960
- 1960 Gala Nude From Behind Looking in an Invisible Mirror, 1960
- 1960 Hyperxiological Sky, 1960
- 1960 The Life of Mary Magdalene, 1960
- 1960 Madonna, 1960
- 1960 The Maids-in-Waiting (Las Meninas), 1960
- 1960 The Maids-in-Waiting (Las Meninas; detail), 1960
- 1960 Portrait of «Bobo» Rockefeller (unfinished), 1960
- 1960 Portrait of Countess Ghislaine d’Oultremont, 1960
- 1960 Portrait of Juan de Pareja Repairing a String of His Mandolin, 1960
- 1960 Portrait of a Man (They Were There), 1960
- 1960 Portrait of Mrs. Fagen, 1960
- 1960 Portrait of St. Jerome, 1960
- 1960 A Propos of the «Treatise on Cubic Form» by Juan de Herrera, 1960
- 1960 Saint Anne and the Infant, 1960
- 1960 Saint Anne and Saint John, 1960
- 1960 San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin, 1960
- 1960 The Servant of the Disciples at Emmaus, 1960
- 1960 Six Figures, 1960
- 1960 The Space Elephant, 1960
- 1960 St. Peter’s in Rome (Explosion of Mystical Faith in the Midst of a Cathedral), 1960
- 1960 The Trinity (Study for «The Ecumenical Council»), 1960
- 1960 Two Religious Figures, 1960
- 1960 Untitled, 1960
- 1960 Untitled (The Lady of Avignon), 1960
- 1961 Arabs. Study for «The Battle of Tetuan», 1961
- 1961 The Battle of Tetuan, 1961-62
- 1961 The Infanta (Standing Woman), 1961
- 1961 Leda’s Swan (Leda and the Swan), 1961
- 1961 Mohammed’s Dream (Homage to Fortuny), 1961
- 1961 Portrait of a Woman — Grey Jacket Wearing a Pearl Necklace, 1961
- 1961 Study for «The Battle of Tetuan», 1961
- 1961 Study for «The Battle of Tetuan», 1961
- 1962 The Alchemist, 1962
- 1962 Arab, 1962
- 1962 Arab, 1962
- 1962 Macrophotographic Self-Portrait with the Appearance of Gala, 1962
- 1962 Macrophotographic Self-Portrait with the Appearance of Gala (detail), 1962
- 1962 Medusa’s Head, 1962
- 1962 Portrait of Mr. Fagen, 1962
- 1962 The Sacred Heart of Jesus, 1962
- 1962 St. George and the Dragon, 1962
- 1962 Study for «The Battle of Tetuan», 1962
- 1962 Study of a Female Nude, 1962
- 1962 Twist in the Studio of Velazquez, 1962
- 1962 Vision of Fatima, 1962
- 1963 Arabs — the Death of Raimundus Lullus, 1963
- 1963 Arabs — the Death of Raymond Lulle, 1963
- 1963 D’Artagnan, 1963
- 1963 Desoxyribonucleic Acid Arabs, 1963
- 1963 Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger, 1963
- 1963 Galacidalacidesoxyribonucleicacid, 1963
- 1963 Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love, 1963
- 1963 The Judgement of Paris, 1963
- 1963 Madonna with a Mystical Rose, 1963
- 1963 Mohammed’s Dream, 1963
- 1963 Portrait of My Dead Brother, 1963
- 1963 Religious Scene, 1963
- 1963 Study for Deoxyribonucleic Acid Arabs, 1963
- 1963 Study for Deoxyribonucleic Acid Arabs, 1963
- 1963 Study for «Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger», 1963
- 1963 Untitled (Still Life with Lilies), 1963
- 1964 Bust of Dante, 1964
- 1964 The Dream of Ezechiel, 1964
- 1964 Female Nude (after restoration), 1964
- 1964 Landscape with Flies, 1964
- 1964 Madonna with a Rose, 1964
- 1964 Untitled (St. John), 1964
- 1964 Untitled. Female Nude on a Palette, 1964
- 1964 Venus with Drawers, 1964
- 1964 Venus' Otorhinologic Head, 1964
- 1965 The Anatomy Lesson, 1965
- 1965 Barcelona. Beachwear Design, 1965
- 1965 The Chalice of Life, 1965
- 1965 «Character Masquerading in Pinning Up a Butterfly», 1965
- 1965 Coming Back. Design for a Beach Two-piece, 1965
- 1965 Crucifixion (Dedication: For Gala Queen of the Divine Dalí), 1965
- 1965 Dalínian Empire. Design for a Summer Cocktail Dress, 1965
- 1965 The Duke D’Olivares, 1965
- 1965 Extra Flat. Design for a Bikini, 1965
- 1965 Fifty-Fifty. Swimsuit Design, 1965
- 1965 Homage to Meirronier, 1965
- 1965 Homage to Millet, 1965
- 1965 Laocoon Tormented by Flies, 1965
- 1965 Michelin’s Slave — Can Be Used as a Car, 1965
- 1965 Night in the Hotel (Abstract in Black and White), 1965
- 1965 ODalísque. Design for a Summer Evening Dress, 1965
- 1965 Odalisque by a Bath (Harem Scene), 1965
- 1965 Philipp II Taking Communion, 1965
- 1965 Portrait of Gala (Gala Against the Light), 1965
- 1965 Portrait of Mrs. Ruth Daponte, 1965
- 1965 The Railway Station at Perpignan, 1965
- 1965 Salvador Dalí in the Act of Painting Gala in the Apotheosis of the Dollar, 1965
- 1965 The Sun of Dalí, 1965
- 1965 Tennis. Design for a Tennis Dress, 1965
- 1965 Thirst, 1965
- 1965 Untitled (Apocalyptic Christ: Christ with Flames), 1965
- 1965 Untitled (St. John from Behind), 1965
- 1965 Yellow Astronaut (clerical). Design for a Summer Evening Dress, 1965
- 1966 Large Figure for «Tuna Fishing», 1966-67
- 1966 Large Figure for «Tuna Fishing», 1966-67
- 1966 Moses and the Pharaoh, 1966
- 1966 The Progress of «Tuna Fishing», 1966-67
- 1966 Study for «Tuna Fishing», 1966-67
- 1966 Study for «Tuna Fishing», 1966-67
- 1966 Study for «Tuna Fishing», 1966-67
- 1966 Tuna Fishing (advanced State), 1966-67
- 1966 Tuna Fishing (advanced State), 1966-67
- 1966 Tuna Fishing (advanced State), 1966-67
- 1966 Untitled (Erotic Scene with Seven Figures), 1966
- 1967 Ashtray, 1967
- 1967 Dalí-Flower, 1967
- 1967 Figure Climbing a Stair, 1967
- 1967 The Flower Show — Carnation, 1967
- 1967 Gala, 1967
- 1967 Le Voyageur, 1967
- 1967 The Mountains of Cap Creus on the March, 1967
- 1967 One of 21 graphics for «Dali illustre Casanova» (Dali Illustrates Casanova), 1967
- 1967 Swan-Elephant and Serpent — Can Be Used as an Ashtray, 1967
- 1967 Tuna Fishing, 1967
- 1968 Cyclops, 1968
- 1968 Fisherman of Port Lligat Mending His Net, 1968
- 1968 The Hallucinogenic Toreador, 1968-70
- 1968 L’Important C’est la Rose, 1968
- 1968 Light and Shadow, 1968
- 1968 Mad Mad Mad Minerva — Illustration for «Memories of Surrealism», 1968
- 1968 The Patio of Port Lligat, 1968
- 1968 Sketch for «The Hallucinogenic Toreador», 1968
- 1968 Study for the Toreador’s Face in «The Hallucinogenic Toreador». The Likeness Suggests That It Could Well Have Become Gala’s Face, 1968
- 1968 Study for «Cosmic Athlete», 1968
- 1968 Study of Flies for «The Hallucinogenic Toreador», 1968
- 1968 Tauromachia I — The Torero, the Kill (third and final round of the bullfight), 1968
- 1969 Debris Christ, 1969
- 1969 Emblem of Wounded Pride, 1969
- 1969 Hour of the Monarchy, 1969
- 1969 Pimp, 1969
- 1969 The Pool of Tears. Illustration for «Alice in Wonderland» by Lewis Carroll in an Edition Published by Maecenas Press, New York, 1969
- 1969 Study of a Male Nude — Saint Sebastian, 1969
- 1969 The Swimming Pool in Port Lligat, 1969-70
- 1969 Tap (Grill), 1969
- 1969 Toreo Noir, 1969
- 1969 Untitled (Still Life with White Cloth), 1969
- 1969 Untitled (Surrealist Angel), 1969
- 1970 Apparition of Venus, 1970
- 1970 Christ, 1970
- 1970 The Dalinian Senyera (Catalonian National Flag), 1970
- 1970 Death Mask of Napoleon, 1970
- 1970 Death Mask of Napoleon, 1970
- 1970 Death Mask of Napoleon - Can Be Used as a Cover for a Rhinoceros, 1970
- 1970 Hannibal Crossing the Alps, 1970
- 1970 Hannibal Crossing the Alps, 1970
- 1970 The Horseman of the Apocalypse, 1970
- 1970 Les Clemolselles D'Avignon (The Girls of Avignon), 1970
- 1970 Nude Figures at Cape Creus, 1970
- 1970 Op Rhinoceros, 1970
- 1970 Otorhinological Head of Venus, 1970
- 1970 Otorhinological Head of Venus, 1970
- 1970 Patient Lovers (Apparition of a Stereoscopic Face in the Ampurdan Landscape), 1970
- 1970 Portrait of John Theodoracopoulos, 1970
- 1970 Portrait of Picasso (I Too Have Known the Emperor), 1970
- 1970 Project for a Swimming Pool in Pubol, 1970
- 1970 Roger Freeing Angelica (St. George and the Damsel), 1970
- 1970 Silhouette of a Tightrope Walker and Clown, 1970
- 1970 Sketch for a Ceiling of the Teatro-Museo Dalí, 1970
- 1970 Study for the Decoration of the Ceiling in Pubol, 1970
- 1970 Untitled (Michelangelo Head with Drawers), 1970
- 1970 Winged Victory, 1970
- 1971 The Banker (series of eleven goaches on different professions), 1971
- 1971 Caligula's Horse (Dalí's Horses), 1971
- 1971 Ceiling of the Hall of Gala's Chateau at Pubol, 1971
- 1971 The Christian Knight (Dalí's Horses), 1971
- 1971 Clauilegnio - The Flaming Horse (Dalí's Horses), 1971
- 1971 Dalí as a Child with His Father, 1971
- 1971 Design for the Pool at Port Lligat, 1971
- 1971 Doctor, Doctor, 1971
- 1971 Figure with Flag. Illustration for "Memories of Surrealism", 1971
- 1971 Lady Godiva (Dalí's Horses), 1971
- 1971 Le Char d'Or, 1971
- 1971 Now It Is Evening (Amazon), 1971
- 1971 The Second Coming of Christ, 1971
- 1971 The Second Coming of Christ, 1971
- 1971 View of Pubol, 1971
- 1971 View of Pubol, 1971
- 1972 Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished), 1972-73
- 1972 Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished), 1972-73
- 1972 "Dalí" Palette. Frontispiece for the outline of "The Key Dalí Paintings", 1972
- 1972 The Daughter of the West Wind, 1972
- 1972 The Face, 1972
- 1972 Gala's Dream (Dream of Paradise), 1972
- 1972 Marilyn Monroe, 1972
- 1972 Object for Gala, 1972
- 1972 Overture in Trompe l'Oeil, 1972
- 1972 Palace of the Winds, 1972-73
- 1972 Palace of the Winds (ceiling painting in the Teatro Museo Dalí; detail), 1972-73
- 1972 Polyhedron. Basketball Players Being Transformed into Angels (Assembling a Hologram - the Central Element), 1972
- 1972 Quantification of Leonardo de Vinci's "Last Supper", 1972
- 1972 Radiators, Radiator-Covers, 1972
- 1972 Self-Portrait (Photomontage with the famous "Mao-Marilyn" that Philippe Halsman created at Dalí's wish), 1972
- 1972 Sfumato, 1972
- 1972 The Sleeping Smoker, 1972-73
- 1972 The Sleeping Smoker, 1972-73
- 1972 Space Eve, 1972
- 1972 Trajan on Horseback, 1972
- 1972 Untitled (Stereoscopic Painting), 1972
- 1973 Behind, 1973
- 1973 Ceiling of the "Palace of the Wind", 1973
- 1973 Figurine-Nike sur un Socle, 1973
- 1973 Gala's Castle at Pubol, 1973
- 1973 Hercules and Gravida, 1973
- 1973 Hitler Masturbating, 1973
- 1973 Holos! Holos! Velazquez! Gabor!, 1973
- 1973 Las Galas of Port Lligat, 1973
- 1973 Pomona, Autumn, 1973
- 1973 Portrait of Dr. Brian Mercer, 1973
- 1973 The Prince of Sleep (El principe de ensueno), 1973-79
- 1973 Study for the Commemoration of the First Cylindrical Hologram for Alice Cooper, 1973
- 1973 Three Hyper-Realist Graces (Anti-Racism), 1973
- 1974 The Angel of Alchemy, 1974
- 1974 Armchair with Landscape Painted for Gala's Chateau at Pubol, 1974
- 1974 Battle in the Clouds, 1974
- 1974 The Black Mass, 1974
- 1974 Bust of Velazquez Turning into Three Figures Conversing, 1974
- 1974 Christ of St. John on the Cross, 1974
- 1974 Cranach Metamorphosis (Woman in a Mirror), 1974
- 1974 Equestrian Portrait of Carmen Bordiu-Franco, 1974
- 1974 Figure with Swan, 1974
- 1974 Gala at the Window, 1974
- 1974 Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln - Homage to Rothko (first version), 1974-75
- 1974 Gala's Foot, 1974
- 1974 Gala's Foot (left panel), 1974
- 1974 Gala's Foot (right panel), 1974
- 1974 Nieuw Amsterdam, 1974
- 1974 Nude coming up a Stairway, 1974
- 1974 The Palace of the Wind, 1974
- 1974 The Palace of the Wind, 1974
- 1974 Patio-Garden of the Dalí Museum-Theatre in Figueras, 1974
- 1974 The Phoenix, 1974
- 1974 Ruggiero Freeing Angelica, 1974
- 1974 The Shoe (Surrealist Object Functioning Symbolically), 1974
- 1974 The Shoe (Surrealist Object Functioning Symbolically) (reconstruction), 1974
- 1974 Standing Female Nude, 1974
- 1974 To Meli, 1974
- 1974 Transformation of "Antiques" Magazine Cover into the Apparition of a Face, 1974
- 1974 Wounded Soft Watch, 1974
- 1975 Castor and Pollux, 1975
- 1975 The Chair (stereoscopic work, left component), 1975
- 1975 The Chair (stereoscopic work, right component), 1975
- 1975 Flamme-Figure, 1975
- 1975 The Giraffe (The Giraffe of Avignon), 1975
- 1975 Lullus - Homage to Raimundus Lullus (design for a ceiling painting), 1975
- 1975 Nude in a Landscape, 1975
- 1975 Study for "The Chair", 1975
- 1976 Architectural Design (Eye Catching Economy), 1976
- 1976 The Chair (stereoscopic work, left component), 1976
- 1976 The Chair (stereoscopic work, right component), 1976
- 1976 Christ Twisted, 1976
- 1976 Christ Twisted, 1976
- 1976 Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln - Homage to Rothko (second version), 1976
- 1976 Homage to Philosophy, 1976
- 1976 Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component), 1976-77
- 1976 Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component), 1976-77
- 1976 Musical Harmony, 1976
- 1976 Perseu, 1976
- 1976 Portrait of Gala, 1976-77
- 1976 Preparatory Drawing for "The Chair", 1976
- 1976 Soft Monster (Monstruo blando adormercido), 1976
- 1976 Study for "Las Meninas" (stereoscopic work, left component), 1976
- 1976 Study for "Las Meninas" (stereoscopic work, right component), 1976
- 1976 Trajano to Horse, 1976
- 1976 The Unicorn (unfinished), 1976
- 1976 The Wash Basin (stereoscopic work, left component), 1976
- 1976 The Wash Basin (stereoscopic work, right component), 1976
- 1977 Angelic Landscape, 1977
- 1977 Aurora's Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici), 1977
- 1977 Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component), 1977
- 1977 Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component), 1977
- 1977 Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component), 1977
- 1977 Daphne: the Tree Woman, 1977
- 1977 Fertility, 1977
- 1977 The Happy Unicorn, 1977
- 1977 Head (stair-way in the museum), 1977
- 1977 Las Meninas (The Maids-in-Waiting) - first metaphysical hyper-realist painting (unfinished), 1977
- 1977 Mae West Room, 1977
- 1977 Monument dedicated to Francesco Pujol (Catalan philosopher), 1977
- 1977 Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light, 1977
- 1977 Patio of the Teatro-Museo Dalí, 1977
- 1977 Portrait of Gala, 1977
- 1977 Randomdot Correlogram - The Golden Fleece (stereoscopic work, left component; unfinished), 1977
- 1977 Randomdot Correlogram - The Golden Fleece (stereoscopic work, right component; unfinished), 1977
- 1977 Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape, 1977
- 1977 Spanish Knight, 1977
- 1977 Study for "Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus", 1977
- 1977 Surrealist Angel, 1977
- 1977 Untitled, 1977
- 1977 Virgin with Swallows, 1977
- 1978 Allegory of Spring, 1978
- 1978 Ampurdanese Landscape, 1978
- 1978 Cybernetic Odalisque, 1978
- 1978 Dark Tapeworms, 1978
- 1978 The Eye of the Angelus (stereoscopic work, left component; unfinished), 1978
- 1978 The Eye of the Angelus (stereoscopic work, right component; unfinished), 1978
- 1978 Gala's Christ (stereoscopic work, left component), 1978
- 1978 Gala's Christ (stereoscopic work, right component), 1978
- 1978 The Harmony of the Spheres, 1978
- 1978 Landscape Near Ampurdan, 1978
- 1978 Pierrot Lunaire (stereoscopic work, unfinished), 1978
- 1978 A postage stamp designed by Dali for the French mail, 1978
- 1978 Stereoscopic Composition, Based on Millet's "Angelus" (unfinished), 1978
- 1978 Stereoscopic Composition, Based on Millet's "Angelus" (unfinished), 1978
- 1978 Study for The Harmony of the Spheres, 1978
- 1978 Woman with Egg and Arrows, 1978
- 1979 Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component), 1979-80
- 1979 Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component), 1979-80
- 1979 Battle in the Clouds (stereoscopic work, left component), 1979
- 1979 Battle in the Clouds (stereoscopic work, right component), 1979
- 1979 Copy of a Rubens Copy of a Leonardo, 1979
- 1979 Dawn, Noon, Sunset, and Twilight, 1979
- 1979 Gala Bouquet, 1979
- 1979 Long Live the Station at Perpignan, Long Live Figueras, 1979
- 1979 More Beautiful than Canova, 1979
- 1979 Nude and Horse with Metamorphosis (unfinished), 1979
- 1979 Pentagonal Sardana (stereoscopic work, left component), 1979
- 1979 Pentagonal Sardana (stereoscopic work, right component), 1979
- 1979 Phosphene, 1979
- 1979 Raphaelesque Hallucination, 1979
- 1979 Searching for the Fourth Dimension, 1979
- 1979 A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished), 1979
- 1979 Study for "Compianto Diabele" by Canova (unfinished), 1979
- 1979 Three Graces of Canova (unfinished), 1979
- 1980 Arabs, 1980
- 1980 Arabs, 1980
- 1980 The Cheerful Horse, 1980
- 1980 Group Surrounding a Reclining Nude - Velazquez, 1980-81
- 1980 Sleeping Young Narcissus, 1980
- 1980 Untitled (Bridge with Reflections; sketch for a dual image picture, unfinished), 1980
- 1980 Untitled (Landscape with Celestial Beings), 1980
- 1981 Amphitrite, 1981
- 1981 Apparition of the Visage of Aphrodite of Cnide in a Landscape, 1981
- 1981 Argus, 1981
- 1981 Classic Figure and Head (unfinished), 1981-82
- 1981 The Exterminating Angels, 1981
- 1981 Figures (Scene after Goya), 1981
- 1981 Gala in a Patio Watching the Sky, Where the Equestrian Figure of Prince Baltasar Carlos and Several Constellations (All) Appear, after Velazquez, 1981
- 1981 The Garden of Hours, 1981
- 1981 The Gaseous Swan, 1981
- 1981 Great Tapeworm Masturbator, Appears Behind Arcades, 1981
- 1981 Hermes, 1981
- 1981 Jason Carrying the Golden Fleece (unfinished), 1981
- 1981 Landscape, 1981
- 1981 Landscape with Rock in the Shape of a Triumphal Arch, 1981
- 1981 Medea or Jason Taking Possession of the Golden Fleece, 1981
- 1981 Mercury and Argos, 1981
- 1981 The Path of Enigmas (first version), 1981
- 1981 The Path of Enigmas (second version), 1981
- 1981 The Pearl, 1981
- 1981 Reading. Family Scene by Lamplight, 1981
- 1981 Ready-to-wear Fashion for Next Spring: "Garlands, Nests and Flowers", 1981
- 1981 Seated Figure Contemplating a "Great Tapeworm Masturbator", 1981
- 1981 Spanish Nobleman with a Cross of Brabant on His Jerkin, 1981
- 1981 Three Female Figures in Festive Gowns, 1981
- 1981 Tower, 1981
- 1981 Tower, 1981
- 1981 The Tower of Enigmas, 1981
- 1981 The Towers, 1981
- 1981 Untitled (Female Bust with Draped Cloth), 1981
- 1981 Untitled (Head of a Woman; unfinished), 1981
- 1981 Untitled (Imaginary Landscape at Pubol), 1981
- 1981 Untitled (Skin of a Beach), 1981
- 1981 Woman on a Ram, 1981
- 1982 After the Head of "Giuliano di Medici", Florence, 1982
- 1982 After Michelangelo's "Moses", on the Tomb of Julius II in Rome, 1982
- 1982 After Michelangelo's "Squatting Child", 1982
- 1982 Architectural Contortion of El Escorial, 1982
- 1982 Atmospherocephalic Figures, 1982
- 1982 Don Jose Nieto Velazquez from "Las Meninas" by Velazquez, Musec, Del Prado, Madrid, 1982
- 1982 Double Victory of Gaudi, 1982
- 1982 El Escorial and Catastrophe-Form Calligraphy, 1982
- 1982 Enigma (unfinished version of "The Three Glorious Enigmas of Gala"), 1982
- 1982 Exploded Head, 1982
- 1982 Figure after Michelangelo's "Dawn" on the Tomb of Lorenzo di Medici, 1982
- 1982 Figure in the Water - After a Drawing by Michelangelo for the "Resurrection of Christ", 1982
- 1982 Figure Inspired by the Adam of the Ceiling of the Sistine Chapel, 1982
- 1982 "Giuliano di Medici" by Michelangelo, Seen from Behind, 1982
- 1982 Head, after Michelangelo's, "Giuliano di Medici", 1982
- 1982 Hysterical Venus de Milo, 1982-83
- 1982 In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished), 1982
- 1982 The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial, 1982
- 1982 Landscape with Hidden Image of Michelangelo's "David", 1982
- 1982 Martyr - Inspired by the Sufferings of Dalí in His Illness, 1982
- 1982 Mirror Women - Mirror Heads, 1982
- 1982 Ole, 1982
- 1982 Othello Dreaming Venice, 1982
- 1982 Pieta, 1982
- 1982 Pieta, 1982
- 1982 Rock Figure after the Head of Christ in the "Pieta" of Palestrina by Michelangelo, 1982
- 1982 Saint Sebastian, 1982
- 1982 Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo's "Evening" on the Tomb of Lorenzo di Medici, 1982
- 1982 Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished), 1982
- 1982 Study for "Ole" (unfinished), 1982
- 1982 The Three Glorious Enigmas of Gala, 1982
- 1982 The Three Glorious Enigmas of Gala (second version), 1982
- 1982 The Tomb of Francesco Pujols, 1982
- 1982 Topological Study for "Exploded Head", 1982
- 1982 Untitled (After "The Day" by Michelangelo), 1982
- 1982 Untitled (After "The Night" by Michelangelo), 1982
- 1982 Untitled (Composition - Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez's Dwarf), 1982
- 1982 Untitled (first study for "The Three Glorious Enigmas of Gala"), 1982
- 1982 Untitled - Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial, 1982
- 1982 Untitled - Nude Figures after Michelangelo, 1982
- 1982 Velazquez and a Figure, 1982
- 1982 Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects, 1982
- 1982 Warrior, 1982
- 1983 Bed and Bedside Table Ferociously Attacking a Cello, 1983
- 1983 Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
- 1983 Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
- 1983 Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage), 1983
- 1983 Bed and Two Bedside Tables Ferociously Attacking a Cello (last state), 1983
- 1983 Bed, Chair and Bedside Table Ferociously Attacking a Cello, 1983
- 1983 Car, 1983
- 1983 Cutlet and Match - The Chinese Crab, 1983
- 1983 Descent from the Cross of a Cello-Christ, 1983
- 1983 Head Inspired by Michelangelo, 1983
- 1983 Pieta, 1983
- 1983 The Pieta of the Cello-Christ, 1983
- 1983 St. George Overpowering a Cello, 1983
- 1983 Study for Bed and Two Bedside Tables Ferociously Attacking a Cello, 1983
- 1983 Study for Chair and Bedside Table Ferociously Attacking a Cello, 1983
- 1983 The Swallowtail, 1983
- 1983 Topological Abduction of Europe - Homage to Rene Thom, 1983
- 1983 Topological Contortion of a Female Figure, 1983
- 1983 Topological Contortion of a Female Figure Becoming a Violoncello, 1983
- 1983 Torre Galatea, 1983
- 1983 The Truck (We'll be arriving later, about five o'clock), 1983
- 1983 Untitled (Figures, Pieta, Catastrophic Signs), 1983
- 1983 Untitled - Head of a Spanish Nobleman, Fashioned by the Catastrophe Model from a Swallow's Tail and Two Halves of a Cello, 1983
- 1983 Untitled - Series on Catastrophes, 1983
- 1983 Warrior Mounted on an Elephant Overpowering a Cello, 1983
- 1984 Alice in Wonderland, 1984
- 1984 Hommage a Terpsichord (La Danse), 1984
- 1984 Profile du Temps, 1984
- 1984 The Profile of Time, 1984
- 1985 "Bracceli" the Warrior with a Corpse - Torero Series, 1985
- 1985 Head of Europa - Torero Series, 1985
- 1985 Interpretation of Goya's Los Caprichos, 1985
- 1985 Six Designs of Playing Cards, The Joker, 1985
- 1985 Two Phoenixes in Combat - Torero Series, 1985
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